ILE (Don Quixote)

Se role - Gathers information about aesthetics and willpower, wants to conform to social norms of what looks good, so he follows fashion trends and is unlikely to change the way he dresses or decorates his room. He will also decorate it according to certain norms rather than from his own sense of aesthetics. He will also avoid conflict or overexertion of power, prefers to maintain a static flow of willpower in his environment.

Fi vulnerable - He has a set of unbended ethical beliefs, does not bend them and has difficulty changing them. His ethical judgments are normative, not grounded in a natural sense of confidence in them; rather, they are based on objective principles for what is good or bad, moral and immoral. He also has difficulty approaching relationships, is insecure in his own desires and doesn’t know the desires of the other person, leading to shallow relationships.

Ne base - He is confident in his evaluation of potential in himself, other people, and the object at hand. He can easily tell what something can develop into, he knows what to follow-up on or leave, all of this because of his evaluation of potential. He sees the potential energy behind things, sees them for what they might become rather than for what they are, leading to a certain enthusiasm with exploring intellectual depths, seeking mental stimulation, being an overall inquisitive character.

Ti creative - He is very free and almost frivolous with logic. He states his opinions clearly, he is confident in his beliefs and assumptions, he does not care whether he is correct or incorrect, as he is confident in his intellectual abilities. His main point is logical flexibility, the ability to put all of his freedom and playfulness in the logical sphere.

SEI (Dumas)

Ni role - For him, time is not abstract but tied to certain events, experiences, and the general flow of life. He wants sequences throughout time to be consistent and predictable, without any disruptions or disorder. He wants to maintain internal harmony, he measures his value and integration by how well his internal rhythms harmonize with society’s emotional and temporal expectations.

Te vulnerable - He gathers and organizes information about what is expected of his but often feels unsure of how to act and how to apply gathered methods. He relies heavily on social cues and external validation to confirm that his behavior aligns with what others want. Compliments about his performance in Te-related domains, such as efficiency or practicality, can make them uneasy, as he fears his actions stood out too much, contradicting their desire to blend seamlessly into the background.

Si base - He perceives the world through a lens of sensory and aesthetic harmony. He feels responsible for ensuring the sensory comfort of their environment and those within it. This responsibility is not a burden but a natural inclination, fulfilled through creating and maintaining spaces that evoke pleasant sensations. He is a practical aesthete, focusing on what feels good and functions well rather than superficial appearances.

Fe creative - He sees emotional displays as tools for communication, taking full responsibility for when and how he expresses feelings like amusement, sadness, or intensity. He redefines emotions pragmatically, seeing them as creative tools rather than fixed constructs. Rage might be viewed as ethical in one situation, while restraint could be harmful in another. He often challenges societal norms, offering new emotional standards that align better with his vision of harmony, though this is done carefully to avoid unnecessary disruption.

ESE (Hugo)

Te role - He appears to ‘know the way’ but actually lacks nuance in his methods of action. Has permanent and static work processes which he applies in the same way to every situation. He is a traditionalist and prefers to stick to his old and tried methods, does not know how to effectively produce new methods. He wants his efforts and work to be accepted by a social group or society in general.

Ni vulnerable - He does not know how to naturally navigate time, so he develops an overly rigid approach to it. He has schedules, calendars, to-do lists, all of which serve the navigation of time in a rigid and (preferably) permanent manner. He is oftenly in a hurry, even when time does not point towards being late, and a difficulty with things not going how they were supposed to; he becomes insecure and afraid of what might happen. So everything must run like clockwork.

Fe base - He has a good idea of the emotional atmosphere, knows the moods and emotions of other people, knows how to influence them and what buttons to push to get a certain reaction. He is aware of the emotions surrounding him, his own emotional state, and readily reacts to it by either adjusting to or influencing it as a way to tune-in and be in control of those emotions.

Si creative - He strives to make a comfortable and stable environment for himself and others. He wants things to be clean, comfortable, and positive for sensation. He can come up with unconventional ways to create a comfortable environment for the wellbeing of others and his own positive sensations.

LII (Robespierre)

Fi role - He prefers relationships to be unambiguous, and relationship dynamics to be binary. Does not know how to deal with moral ambiguity, gets frustrated at inconsistencies, lack of clarity, and when he cannot categorize something as ethically ‘good’ or ‘bad’. He attaches to norms regarding morality and relationships, defends his moral and ethical views and does not accept attacks on his personal attitudes.

Se vulnerable - He is sensitive to aesthetic shortcomings and has difficulty assessing what looks good or bad, how to use force and how to exert his own willpower. This sensitivity extends to his personal appearance and the objects he interacts with. He strives to avoid appearing unkempt or having his surroundings reflect poorly on them. A scuffed surface, a stained item, or dirt in their home is felt as a personal failing. Compliments on his ability to maintain order and aesthetics are often met with skepticism, as he questions whether the praise is sincere or contains hidden criticism.

Ti base - He views reality through the lens of systems and seeks to improve and maintain their consistency to ensure they are effective and functional. He is meticulous in identifying flaws and inconsistencies in logical systems and strives to correct them. He prioritizes order and logic in external relationships and situations, valuing systems that provide stability and clarity. He is uncompromising in logical matters, recognizing only evidence-based arguments that demonstrate the superiority of one system over another. He resists change unless logical proof shows the new system is better and more consistent.

Ne creative - He is able to explore possibilities and potential in the domain of his base. he perceives the internal qualities of people and objects as more significant than external appearances, understanding how these qualities can desires or logic. He sees Ne as an outlet to improve the functioning of his base, for example, by coming up with potential improvements of his logical frameworks or personal dynamics.

SLE (Zhukov)

Ne role - He does not want others to dictate or judge his abilities and potential, does not tolerate intrusions on his sense of self. Has a rigid idea of who he is and who he might become, does not develop new skills or present new talents most of the time, but does present his overall talents.

Fi vulnerable - He has a set of unbended ethical beliefs, does not bend them and has difficulty changing them. His ethical judgments are normative, not grounded in a natural sense of confidence in them; rather, they are based on objective principles for what is good or bad, moral and immoral. He also has difficulty approaching relationships, is insecure in his own desires and doesn’t know the desires of the other person, leading to shallow relationships.

Se base - He is very in-tune with his environment, focusing on the perception of kinetic energy: tangible and physical objects, what is rather than what could be. He is confident in his senses, knows what is aesthetic and what looks good according to his own standards. He knows the amount of force to apply in order to exert his own willpower onto others, he is able to organize and manage others through this skill.

Ti creative - He is very free and almost frivolous with logic. He states his opinions clearly, he is confident in his beliefs and assumptions, he does not care whether he is correct or incorrect, as he is confident in his intellectual abilities. His main point is logical flexibility, the ability to put all of his freedom and playfulness in the logical sphere.

IEI (Yesenin)

Si role - He notices subtle changes in the physical environment and is sensitive to how these changes influence emotions and overall well-being. While he is excellent at describing sensory experiences and their emotional impacts, he feel ill-equipped to suggest improvements or take responsibility for optimizing the environment, fearing that his input might seem arbitrary or subjective.

Te vulnerable - He gathers and organizes information about what is expected of his but often feels unsure of how to act and how to apply gathered methods. He relies heavily on social cues and external validation to confirm that his behavior aligns with what others want. Compliments about his performance in Te-related domains, such as efficiency or practicality, can make them uneasy, as he fears his actions stood out too much, contradicting their desire to blend seamlessly into the background.

Ni base - He can understand objects through the perception of time; he can easily manage time, see how things will play out in the future, predict the future without any precautions necessary for dealing with it. His perception of time is highly subjective, creating a unique perspective on the events unfolding; he relates them to his own vision, past experiences, and convictions. He knows how to interact with time, when to act and when to freeze, how to interact with objects throughout time.

Fe creative - He can create a comfortable emotional environment for everyone, he is also aware of the emotions of other people, but his purpose is more to accommodate those emotions rather than imposing his own as in the case of Fe bases. He often is warm and welcoming, knows what others want and he can adjust to it. He also only wants a desired emotional atmosphere, oftenly reacting negatively to people with a mood reaching outside of this desire, so he tries to move away from this person and preserve his emotional state and surroundings.

EIE (Hamlet)

Te role - He appears to ‘know the way’ but actually lacks nuance in his methods of action. Has permanent and static work processes which he applies in the same way to every situation. He is a traditionalist and prefers to stick to his old and tried methods, does not know how to effectively produce new methods. He wants his efforts and work to be accepted by a social group or society in general.

Si vulnerable - He does not want to focus on the present and mundane, so he represses it in favor of the future. He is sensitive to the overall atmosphere and environment, to his own wellbeing and the wellbeing of others, so he tries to guarantee it by working for the future and the future fulfillment of everyone’s wellbeing.

Fe base - He has a good idea of the emotional atmosphere, knows the moods and emotions of other people, knows how to influence them and what buttons to push to get a certain reaction. He is aware of the emotions surrounding him, his own emotional state, and readily reacts to it by either adjusting to or influencing it as a way to tune-in and be in control of those emotions.

Ni creative - He thinks of things through the lens of the future, not the present moment. He represses the present moment and mundane reality in favor of future development. He dislikes grounded thinking and focuses on ‘dreaming big’, thinks of things holistically and through the lens of large social issues and great ambitions rather than the specific and grounded. He is confident in the future and approaches it creatively through plans and idealism.

LSI (Maxim Gorky)

Fi role - He prefers relationships to be unambiguous, and relationship dynamics to be binary. Does not know how to deal with moral ambiguity, gets frustrated at inconsistencies, lack of clarity, and when he cannot categorize something as ethically ‘good’ or ‘bad’. He attaches to norms regarding morality and relationships, defends his moral and ethical views and does not accept attacks on his personal attitudes.

Ne vulnerable - He struggles with uncertainty about their own potential, which can lead to self-doubt. When he oversteps his ‘comfort zone’ related to the expression of his own potential,, he experiences frustration or self-reproach for being ‘too conceited’ or overconfident, resulting in a withdrawal from further self-disclosure. He fears what he might become or how he might develop, is insecure in his assessment of others’ potential and essence.

Ti base - He views reality through the lens of systems and seeks to improve and maintain their consistency to ensure they are effective and functional. He is meticulous in identifying flaws and inconsistencies in logical systems and strives to correct them. He prioritizes order and logic in external relationships and situations, valuing systems that provide stability and clarity. He is uncompromising in logical matters, recognizing only evidence-based arguments that demonstrate the superiority of one system over another. He resists change unless logical proof shows the new system is better and more consistent.

Se creative - He seeks to assert control over objects, people, and situations. He focuses on the tangible, physical aspects of the world and their efficient use within a system or personal relationships. He seeks to occupy positions of authority and responsibility, where he can shape and manage relationships and structures. He excels at using material resources, such as objects, money, or property, to maintain and enhance systems.

LIE (Jack London)

Fe role - He oftenly participates in the emotional atmosphere but does not influence it directly. He upholds and perpetuates it, but lacks the nuance to create new emotions or shift the atmosphere. Does not tolerate emotions outside of the already defined atmosphere (i.e. people who are too cheerful or people who are too grumpy, depending on the current mood in the room).

Si vulnerable - He does not want to focus on the present and mundane, so he represses it in favor of the future. He is sensitive to the overall atmosphere and environment, to his own wellbeing and the wellbeing of others, so he tries to guarantee it by working for the future and the future fulfillment of everyone’s wellbeing.

Te base - He believes he knows the correct method for everything, focuses on optimizing processes, he is great in managerial and organizing roles. He is pragmatic and efficient, his beliefs are based on what is the correct way of doing things, performing a task, the correct and incorrect information. His beliefs serve the optimization of external processes, such as the work-flow or his own immediate environment.

Ni creative - He thinks of things through the lens of the future, not the present moment. He represses the present moment and mundane reality in favor of future development. He dislikes grounded thinking and focuses on ‘dreaming big’, thinks of things holistically and through the lens of large social issues and great ambitions rather than the specific and grounded. He is confident in the future and approaches it creatively through plans and idealism.

ESI (Dreiser)

Ti role - He detects logical dependencies and connections, understands the significance, leverage, and position of certain objects within logical systems or hierarchies, but this understanding is not self-assured. He seeks confirmation regarding his conclusions, needs to know that they are recognized and widely accepted. Criticism of his logical sense or the systems he creates can be deeply unsettling, leaving him questioning his competence and societal worth.

Ne vulnerable - He struggles with uncertainty about their own potential, which can lead to self-doubt. When he oversteps his ‘comfort zone’ related to the expression of his own potential,, he experiences frustration or self-reproach for being ‘too conceited’ or overconfident, resulting in a withdrawal from further self-disclosure. He fears what he might become or how he might develop, is insecure in his assessment of others’ potential and essence.

Fi base - Relationships are his primary domain of influence. He carefully cultivates emotional connections, bringing people closer or creating distance as needed to maintain harmony and ethical balance. While he is gentle and modest in demeanor, he is categorical and demanding when it comes to ethical standards. He imposes their understanding of what is morally right or wrong on those around them, particularly on their loved ones.

Se creative - He seeks to assert control over objects, people, and situations. He focuses on the tangible, physical aspects of the world and their efficient use within a system or personal relationships. He seeks to occupy positions of authority and responsibility, where he can shape and manage relationships and structures. He excels at using material resources, such as objects, money, or property, to maintain and enhance systems.

SEE (Napoleon)

Ne role - He does not want others to dictate or judge his abilities and potential, does not tolerate intrusions on his sense of self. Has a rigid idea of who he is and who he might become, does not develop new skills or present new talents most of the time, but does present his overall talents.

Ti vulnerable - This element demands that logical conclusions align with societal expectations and universally accepted truths. He feels deeply unsettled by ambiguity, striving to resolve contradictions and achieve clarity. He view logical frameworks as non-negotiable and work diligently to ensure their conclusions are free from error or subjectivity. He does not produce any original conclusions, prefers to stick to certain objective logical frameworks and feels insecure when someone attacks his sense of logic.

Se base - He is very in-tune with his environment, focusing on the perception of kinetic energy: tangible and physical objects, what is rather than what could be. He is confident in his senses, knows what is aesthetic and what looks good according to his own standards. He knows the amount of force to apply in order to exert his own willpower onto others, he is able to organize and manage others through this skill.

Fi creative - He can creatively manipulate relationships and emotional bonds. His ethical framework is dynamic, context-sensitive, and independent of rigid societal norms. He excels at crafting new emotional dynamics and resolving relational tensions by introducing innovative ways to connect and empathize. He is very flexible in terms of ethics and moral boundaries.

ILI (Balzac)

Si role - He notices subtle changes in the physical environment and is sensitive to how these changes influence emotions and overall well-being. While he is excellent at describing sensory experiences and their emotional impacts, he feel ill-equipped to suggest improvements or take responsibility for optimizing the environment, fearing that his input might seem arbitrary or subjective.

Fe vulnerable - He carefully observes the emotional states of others, adjusting his responses to maintain harmony. He avoids excessive emotional displays that could disrupt social balance or draw unwelcome attention to themselves. Compliments or remarks about his emotional state often feel like criticisms, hinting at tactlessness or intemperance. This hypersensitivity drives him to regulate his emotional expressions meticulously, ensuring they align with societal norms and expectations.

Ni base - He can understand objects through the perception of time; he can easily manage time, see how things will play out in the future, predict the future without any precautions necessary for dealing with it. His perception of time is highly subjective, creating a unique perspective on the events unfolding; he relates them to his own vision, past experiences, and convictions. He knows how to interact with time, when to act and when to freeze, how to interact with objects throughout time.

Te creative - He sees emotional displays as tools for communication, taking full responsibility for when and how he expresses feelings like amusement, sadness, or intensity. He redefines emotions pragmatically, seeing them as creative tools rather than fixed constructs. Rage might be viewed as ethical in one situation, while restraint could be harmful in another. He often challenges societal norms, offering new emotional standards that align better with his vision of harmony, though this is done carefully to avoid unnecessary disruption.

LSE (Stierlitz)

Fe role - He oftenly participates in the emotional atmosphere but does not influence it directly. He upholds and perpetuates it, but lacks the nuance to create new emotions or shift the atmosphere. Does not tolerate emotions outside of the already defined atmosphere (i.e. people who are too cheerful or people who are too grumpy, depending on the current mood in the room).

Ni vulnerable - He does not know how to naturally navigate time, so he develops an overly rigid approach to it. He has schedules, calendars, to-do lists, all of which serve the navigation of time in a rigid and (preferably) permanent manner. He is oftenly in a hurry, even when time does not point towards being late, and a difficulty with things not going how they were supposed to; he becomes insecure and afraid of what might happen. So everything must run like clockwork.

Te base - He believes he knows the correct method for everything, focuses on optimizing processes, he is great in managerial and organizing roles. He is pragmatic and efficient, his beliefs are based on what is the correct way of doing things, performing a task, the correct and incorrect information. His beliefs serve the optimization of external processes, such as the work-flow or his own immediate environment.

Si creative - He strives to make a comfortable and stable environment for himself and others. He wants things to be clean, comfortable, and positive for sensation. He can come up with unconventional ways to create a comfortable environment for the wellbeing of others and his own positive sensations.

EII (Dostoyevsky)

Ti role - He detects logical dependencies and connections, understands the significance, leverage, and position of certain objects within logical systems or hierarchies, but this understanding is not self-assured. He seeks confirmation regarding his conclusions, needs to know that they are recognized and widely accepted. Criticism of his logical sense or the systems he creates can be deeply unsettling, leaving him questioning his competence and societal worth.

Se vulnerable - He is sensitive to aesthetic shortcomings and has difficulty assessing what looks good or bad, how to use force and how to exert his own willpower. This sensitivity extends to his personal appearance and the objects he interacts with. He strives to avoid appearing unkempt or having his surroundings reflect poorly on them. A scuffed surface, a stained item, or dirt in their home is felt as a personal failing. Compliments on his ability to maintain order and aesthetics are often met with skepticism, as he questions whether the praise is sincere or contains hidden criticism.

Fi base - Relationships are his primary domain of influence. He carefully cultivates emotional connections, bringing people closer or creating distance as needed to maintain harmony and ethical balance. While he is gentle and modest in demeanor, he is categorical and demanding when it comes to ethical standards. He imposes their understanding of what is morally right or wrong on those around them, particularly on their loved ones.

Ne creative - He is able to explore possibilities and potential in the domain of his base. he perceives the internal qualities of people and objects as more significant than external appearances, understanding how these qualities can desires or logic. He sees Ne as an outlet to improve the functioning of his base, for example, by coming up with potential improvements of his logical frameworks or personal dynamics.

IEE (Huxley)

Se role - Gathers information about aesthetics and willpower, wants to conform to social norms of what looks good, so he follows fashion trends and is unlikely to change the way he dresses or decorates his room. He will also decorate it according to certain norms rather than from his own sense of aesthetics. He will also avoid conflict or overexertion of power, prefers to maintain a static flow of willpower in his environment.

Ti vulnerable - This element demands that logical conclusions align with societal expectations and universally accepted truths. He feels deeply unsettled by ambiguity, striving to resolve contradictions and achieve clarity. He view logical frameworks as non-negotiable and work diligently to ensure their conclusions are free from error or subjectivity. He does not produce any original conclusions, prefers to stick to certain objective logical frameworks and feels insecure when someone attacks his sense of logic.

Ne base - He can creatively manipulate relationships and emotional bonds. His ethical framework is dynamic, context-sensitive, and independent of rigid societal norms. He excels at crafting new emotional dynamics and resolving relational tensions by introducing innovative ways to connect and empathize. He is very flexible in terms of ethics and moral boundaries.

Fi creative - He thinks he has insight into peoples desires, he is flexible and free in the ethical sphere. He wants to explore and he is inquisitive with moral boundaries, his beliefs and relationships are not static. He has an inherent confidence in the way he influences the desires of other people, he can understand the desires of other people and manipulate those dynamics easily.

SLI (Gabin)

Ni role - For him, time is not abstract but tied to certain events, experiences, and the general flow of life. He wants sequences throughout time to be consistent and predictable, without any disruptions or disorder. He wants to maintain internal harmony, he measures his value and integration by how well his internal rhythms harmonize with society’s emotional and temporal expectations.

Fe vulnerable - He carefully observes the emotional states of others, adjusting his responses to maintain harmony. He avoids excessive emotional displays that could disrupt social balance or draw unwelcome attention to themselves. Compliments or remarks about his emotional state often feel like criticisms, hinting at tactlessness or intemperance. This hypersensitivity drives him to regulate his emotional expressions meticulously, ensuring they align with societal norms and expectations.

Si base - He perceives the world through a lens of sensory and aesthetic harmony. He feels responsible for ensuring the sensory comfort of their environment and those within it. This responsibility is not a burden but a natural inclination, fulfilled through creating and maintaining spaces that evoke pleasant sensations. He is a practical aesthete, focusing on what feels good and functions well rather than superficial appearances.

Te creative - He naturally analyzes the efficiency of work processes and constantly strives to improve them. He is not drawn to work for its own sake but rather to tasks that genuinely need doing or that bring meaningful results. This makes him selective in his actions—he acts only when it is necessary or beneficial, refusing to waste energy on redundant or meaningless tasks. He comes up with creative methods of execution, finds it satisfying to create new solutions instead of sticking to certain methods and standards.

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